first commit, a few years over due

antiqua.sty

@@ -0,0 +1,5 @@
+\NeedsTeXFormat{LaTeX2e}
+\ProvidesPackage{antiqua}
+\renewcommand{\rmdefault}{uaq}
+\renewcommand{\sfdefault}{ugq}
+\endinput

antiqua.tex

@@ -0,0 +1,37 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[T1]{fontenc}
+\usepackage{antiqua}
+\usepackage[utf8]{inputenc}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+\noindent
+{\LARGE 8 URW Antiqua}\\
+~\\
+Are you ready for a little \LaTeX{} magic? Type the following into a file named \mbox{\emph{antiqua.sty}}:
+
+\begin{verbatim}
+\NeedsTeXFormat{LaTeX2e}
+\ProvidesPackage{antiqua}
+\renewcommand{\rmdefault}{uaq}
+\renewcommand{\sfdefault}{ugq}
+\endinput
+\end{verbatim}
+
+Now simply \textbackslash{}usepackage\{antiqua\}, and your document
+will be typeset in URW Antiqua! Antiqua is little known, but still an
+original creation by Hermann Zapf. Its sans serif counterpart that
+will also be loaded by antiqua.sty is called \mbox{{\sf UWR Grotesk}}. Both
+fonts were a commercial failure in the 1980s and were later made
+available under the GNU General Public License.  The intention of this
+typeface was to be a highly legible, classical font for use in books,
+magazines, and newspapers.
+
+Don't confuse this underrated beauty with ``Book Antiqua'', which is
+Microsoft's knock-off of Zapf's Palatino typeface. (You know, the one
+that's also known as Palladio by URW and Pagella by the \TeX{} Gyre
+Project.)
+
+\end{document}

bera.tex

@@ -0,0 +1,18 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[T1]{fontenc}
+\usepackage[utf8]{inputenc}
+\usepackage{bera}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+\noindent
+{\LARGE 9 Bitstream Vera}\\
+~\\
+The digital revolution demanded types that looked consistent and readable even when viewed at lower resolutions. This gave rise to a square-looking and widely spaced new family of fonts, of which Bitstream Charter was the first real example. After Charter's success, the Bitstream foundry worked together with the Gnome Foundation to produce Bitstream Vera, a serif font specifically designed for low resolution computer screens. The large x-height and wide, open letters make Vera easy to read even at very small sizes.
+
+The latest incarnation in the category of ``display serif fonts'' is the DejaVu series of fonts, which have mostly replaced the default Vera in most Linux distributions. If you like this type of font, closely compare the packages \texttt{charter}, \texttt{bera}, and \texttt{dejavu}.
+
+
+\end{document}

boisik.tex

@@ -0,0 +1,24 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[OT1]{fontenc}
+\usepackage{boisik}
+\usepackage{mflogo}
+\usepackage[utf8]{inputenc}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+\noindent
+{\LARGE $10$ Boisik}~\\
+~\\
+Boisik is without a doubt the ugliest font available in any \LaTeX distribution.
+One look at this paragraph and you'll agree that the last place in this Top 10 is a well-deserved one.
+
+However, Boisik is very much worth mentioning because it has completely been written in the archaic \MF{} system.
+That's right, every parameter of this font is globally adjustable, and every font size has different glyphs.
+
+Boisik is a tribute to the original Computer Modern typeface, and it's ugliness only underwrites the geniousness
+of Knuth's creation.
+
+
+\end{document}

charter.tex

@@ -0,0 +1,26 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[T1]{fontenc}
+\usepackage[utf8]{inputenc}
+\usepackage{charter}
+\pagestyle{empty}
+\setlength{\parindent}{0pt}
+\setlength{\parskip}{1em}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+{\LARGE 9 Bitstream Charter}
+
+Bitstream Charter is a glyphic serif typeface designed by Matthew Carter in
+1987 for Bitstream Inc., a digital type foundry.  Bitstream Charter is a
+typeface optimized for printing on the low-resolution 300 dpi laser printers
+of the 1980s.  The typeface is suitable for printing on both modern
+high-resolution laser printers and lower resolution inexpensive inkjet
+printers.
+
+In 1992, along with their version of Courier, Bitstream donated the Charter
+font to the X Consortium under terms that allowed modified versions of the
+font to be redistributed.
+
+\end{document}

default.css

@@ -0,0 +1,93 @@
+*
+{
+  margin: 0px;
+  padding: 0px;
+}
+
+body
+{
+  width: 720px;
+  margin: 50px auto;
+  font-family: "Palatino Linotype", "Book Antiqua", Palatino, Palladia, Pagella, serif;
+  font-size: 20px;
+  background: #fff;
+}
+
+h1
+{
+  font-size: 2em;
+}
+
+h2
+{
+  font-size: 1.5em;
+  padding: 0em 0em 0.2em;
+}
+
+img {
+  width: 720px;
+}
+
+p
+{
+  padding: 0.5em 0em;
+}
+
+A:link {text-decoration: none}
+A:visited {text-decoration: none}
+A:active {text-decoration: none}
+A:hover {text-decoration: underline;}
+
+.latex
+{
+  letter-spacing: 1px;
+}
+
+.latex sup
+{
+  text-transform: uppercase;
+  letter-spacing: 1px;
+  font-size: 0.85em;
+  vertical-align: 0.15em;
+  margin-left: -0.36em;
+  margin-right: -0.15em;
+}
+
+.latex sub {
+  text-transform: uppercase;
+  vertical-align: -0.5ex;
+  margin-left: -0.1667em;
+  margin-right: -0.125em;
+  font-size: 1em;
+}
+
+.comments
+{
+  font-size: 22px;
+}
+
+.comments input[name="Name"]
+{
+  font-family: "Palatino Linotype", "Book Antiqua", Palatino, serif;
+  font-size: 22px;
+  font-weight: bold;
+}
+
+.comments textarea
+{
+  font-family: "Palatino Linotype", "Book Antiqua", Palatino, serif;
+  font-size: 22px;
+}
+
+.comments input[name="Answer"]
+{
+  font-size: 22px;
+  font-family: sans-serif;
+  width: 10em;
+}
+
+.comments input
+{
+  font-family: "Palatino Linotype", "Book Antiqua", Palatino, serif;
+  font-size: 28px;
+}

didot.tex

@@ -0,0 +1,42 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[T1]{fontenc}
+\usepackage{gfsdidot}
+\usepackage{inconsolata}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\noindent
+{\LARGE 3 GFS Didot}\\
+~\\
+Didot is the ``father of modern fonts''. It was created by the famous French
+printing and type producing family between 1784 and 1811.  Firmin Didot cut
+the letters, and cast them as type in Paris.  His brother, Pierre Didot used
+the types in printing.  Together, they are regarded the inventors of the
+neoclassical \emph{Didone} style of typefaces, evocative of the Age of
+Enlightenment.
+
+The typeface is characterized by serifs without brackets, vertical
+orientation of weight axes, strong contrast between thick and thin lines,
+and an unornamented, ``modern'' appearance, inspired by John
+Baskerville's earlier experiments with increasing stroke contrast and a more
+condensed armature.
+%Didot resembles the typefaces developed by Giambattista Bodoni in Italy.
+
+The \TeX{} version of Didot was created by the \emph{Greek Font Society}, a
+non-profit organization in Greece, founded in 1992, devoted to improving the
+standard of Greek digital typography.  Other famous typefaces recreated by
+the GFS include Artemisia, Neohellenic and Bodoni.  To use them, put one of
+the following directives in your document header.
+
+\textbackslash usepackage\{gfsartemisia\}
+
+\textbackslash usepackage\{gfsbodoni\}
+
+\textbackslash usepackage\{gfsdidot\}
+
+\textbackslash usepackage\{gfsneohellenic\}
+
+\end{document}

gyre.tex

@@ -0,0 +1,38 @@
+\documentclass{article}
+\usepackage[T1]{fontenc}
+\usepackage{charter}
+%\usepackage{helvet}
+%\renewcommand{\familydefault}{\sfdefault}
+\usepackage{microtype}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+\noindent
+{\LARGE 7 \TeX{} Gyre Collection}\\
+~\\
+The \TeX{} Gyre Collection is the open source counterpart of the proprietary
+Post\-Script ``core font set'' (Avant Garde, Bookman, Courier, Helvetica, New
+Century Schoolbook, Palatino, Times Roman, and Zapf Chancery). It was
+created from the clones of this set that URW donated to the the free
+software community (Gothic, Bookman, Nimbus Mono, Nimbus Sans, Century
+Schoolbook, \mbox{Palladio}, Nimbus Roman, Chancery). In the same order,
+these are the new names given to them by the \TeX{} Gyre project: Adventor,
+Bonum, Cursor, Heros, Schola, Pagella, Termes, and Chorus.  Get it?
+
+Orginally, \LaTeX{} support for these fonts was provided by the PSNFSS
+(Post\-Script New Font Selection Scheme) project that conveniently ignored
+the fact that the fonts it uses aren't really Adobe's versions but rather
+URW's versions.  That's why you can still simply \textbackslash
+usepackage\{avant, bookman, courier, helvet, newcent, palatino, times,
+and chancery\} to activate the (clones of) common PostScript fonts.
+%For more information, see psnfss2e.pdf included in every modern \LaTeX
+%distribution.
+
+The \TeX{} Gyre project makes an end to this naivety with its new naming
+scheme and makes a renewed effort to adapt and extend the core font set for
+use with \LaTeX{}.  Only four of these font families are suited for running
+text (instead of headings, listings, citations, etc.).  Here they are,
+including the proper way of using them through the \TeX{} Gyre project:
+
+\end{document}

gyrebonum.tex

@@ -0,0 +1,19 @@
+\documentclass{article}
+\usepackage[T1]{fontenc}
+\usepackage{microtype}
+\usepackage{tgbonum}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\begin{description}
+\item[Bonum / Bookman:]
+This typeface is derived from Old Style
+Antique designed by Alexander Phemister in 1858 for the Miller and Richard
+type foundry. Several American foundries copied the design
+and issued it under various names.\\
+Usage: \textbackslash usepackage\{tgbonum\}
+\end{description}
+
+\end{document}

gyrepagella.tex

@@ -0,0 +1,19 @@
+\documentclass{article}
+\usepackage[T1]{fontenc}
+\usepackage{microtype}
+\usepackage{tgpagella}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\begin{description}
+\item[Pagella / Palladio / Palatino:]
+This is the masterpiece and life's work of font professor Hermann Zapf,
+first released in 1948.  He based it on the humanist fonts of the Italian
+Renaissance, which mirror the letters formed by a broad nib pen, giving
+Palatino a beautiful calligraphic grace.\\
+Usage: \textbackslash usepackage\{tgpagella\}
+\end{description}
+
+\end{document}

gyreschola.tex

@@ -0,0 +1,20 @@
+\documentclass{article}
+\usepackage[T1]{fontenc}
+\usepackage{microtype}
+\usepackage{tgschola}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\begin{description}
+\item[Schola / Century Schoolbook:]
+The original Century Schoolbook was designed by Morris Fuller Benton in 1919
+at the request of Ginn \& Co., a textbook publisher, who were looking for an
+especially easy-to-read face for textbooks.  It is now familiar to many
+North Americans as the typeface they first learned to read with.\\
+Usage: \textbackslash usepackage\{tgschola\}
+
+\end{description}
+
+\end{document}

gyretermes.tex

@@ -0,0 +1,19 @@
+\documentclass{article}
+\usepackage[T1]{fontenc}
+\usepackage{microtype}
+\usepackage{tgtermes}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\begin{description}
+\item[Termes / Nimbus Roman / Times Roman:]
+This typeface was commissioned by the British newspaper \emph{The~Times} in
+1931, after Stanley Morison had written an article criticizing
+the newspaper for being badly printed and typographically behind the
+times.  Stanley himself was the one who designed the replacement.\\
+Usage: \textbackslash usepackage\{tgtermes\}
+\end{description}
+
+\end{document}

index.html

@@ -0,0 +1,133 @@
+<!doctype html>
+<html>
+<head>
+<title>Top 10 LaTeX Fonts</title>
+<link rel="stylesheet" type="text/css" href="default.css" />
+</head>
+<body>
+
+<h1>Top 10 <span class="latex">L<sup>a</sup>T<sub>e</sub>X</span> Fonts</h1>
+
+<p style="text-align: justify">
+
+This page contains ten paragraphs typeset by the
+<a href="http://www.latex-project.org/"><span class="latex">L<sup>a</sup>T<sub>e</sub>X</span>
+typesetting system</a>, converted to images by
+the <a href="http://savannah.nongnu.org/projects/dvipng/">dvipng</a>
+utility.  Each paragraph<sup>1</sup> showcases a different font family
+and provides some background and usage instructions.
+
+All the fonts are free and open source and are included by default in
+most <span class="latex">L<sup>a</sup>T<sub>e</sub>X</span>
+distributions.  All fonts are also available
+on <a href="http://www.ctan.org/tex-archive/fonts/">CTAN</a>,
+
+as well as in the
+<a href="http://www.tug.dk/FontCatalogue/"><span class="latex">T<sub>e</sub>X</span>
+Font Catalogue</a> which lists them all including usage instuctions.
+</p>
+
+
+<p style="font-size: smaller">
+&nbsp;&nbsp;&nbsp;<sup>1</sup> except for this one, which is the only
+paragraph rendered by your browser.
+</p>
+
+<!-- Note: If you want to do math, check out
+http://www.ctan.org/tex-archive/info/Free_Math_Font_Survey/survey.html
+-->
+
+&nbsp;
+
+<p>
+<img src="lmodern.png" alt="1 Computer Modern" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="kpfonts.png" alt="2 Kepler Fonts" border="0" />
+</p>
+<p>
+<img src="fontcomp.png" alt="Comparison table" border="0" />
+</p>
+<p>
+<img src="kpsans.png" alt="Kepler Sans" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="didot.png" alt="6 GFS Didot" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="utopia.png" alt="4 Utopia" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="venturis.png" alt="5 Venturis ADF" border="0" />
+</p>
+<p>
+<img src="venturisrm1.png" alt="" border="0" />
+</p>
+<p>
+<img src="venturisrm2.png" alt="" border="0" />
+</p>
+<p>
+<img src="venturisrm3.png" alt="" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="libertine.png" alt="6 Libertine" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="gyre.png" alt="7 TeX Gyre Collection" border="0" />
+</p>
+<p>
+<img src="gyrebonum.png" alt="Bonum" border="0" />
+</p>
+<p>
+<img src="gyrepagella.png" alt="Pagella" border="0" />
+</p>
+<p>
+<img src="gyreschola.png" alt="Schola" border="0" />
+</p>
+<p>
+<img src="gyretermes.png" alt="Termes" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="antiqua.png" alt="7 URW Antiqua" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="bera.png" alt="10 Bitstream Vera" border="0" />
+</p>
+
+&nbsp;
+
+<p>
+<img src="boisik.png" alt="8 Boisik" border="0" />
+</p>
+
+&nbsp;
+
+
+<!--#include virtual="/cgi-bin/comments.cgi?site=latex" -->
+
+</body>
+</html>

kpfonts.tex

@@ -0,0 +1,35 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[T1]{fontenc}
+\usepackage{kpfonts}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\noindent
+{\LARGE 2 Kp-Fonts}\\
+~\\
+The ``Kp-Fonts'' from the \emph{Johannes Kepler project} are a neat, easy,
+and complete replacement for the default Computer Modern font family.  By
+using the package kpfonts (\textbackslash usepackage\{kpfonts\}) you replace
+the default roman, sans-serif and monospace typewriter fonts of the complete
+document, as well as the font used in the math sections.  The package has
+many options, see the documentation in kpfonts.pdf.
+%(on Unix-like systems,
+%type \emph{texdoc kpfonts}).
+
+The roman font-family of Kp-Fonts is a modified version of the open source
+URW Palladio, a clone of the popular but
+non-free Palatino font family created by Herman Zapf and first released
+in 1948. 
+%Named after the $16^{\textrm{th}}$ century Italian master of
+%calligraphy Giovanni Battista Palatino, Palatino is based on the humanist
+%fonts of the Italian Renaissance.
+According to the creator of Kp-Fonts, Christophe Caignaert, the
+modifications were made to give the font a more basic and dynamic shape.
+The following table (taken from \mbox{kpfonts.pdf}) illustrates this.
+
+
+
+\end{document}

kpsans.tex

@@ -0,0 +1,21 @@
+\documentclass{article}
+\usepackage{microtype}
+%\usepackage[T1]{fontenc}
+\usepackage[utf8]{inputenc}
+\usepackage{kpfonts}
+\usepackage{inconsolata}
+\pagestyle{empty}
+%\setlength{\parindent}{0pt}
+%\setlength{\parskip}{1em}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\noindent
+\sf The sans-serif font included in Kp-Fonts is also very graceful, and
+possibly worth its own entry in this top ten list.  However, I have no
+background information at all about this font.  Also, I have no idea where
+to find more information about the the mysterious \emph{Johannes Kepler
+project}. If you know more, please let me know!
+
+\end{document}

libertine.tex

@@ -0,0 +1,40 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[T1]{fontenc}
+\usepackage{libertine}
+\usepackage{anyfontsize}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+\noindent
+{\LARGE 6 Linux Libertine}\\
+~\\
+Linux Libertine is marketed by the Libertine Open Fonts Project as
+a free and open source replacement for the proprietary typeface Times New
+Roman, the default serif typeface on every Microsoft Windows platform since
+1992. Like its rival, Libertine looks like the 19th century
+book type, and includes features designed for modern use. It contains more
+than 2000 Unicode characters and supports many different
+languages. In \LaTeX, it behaves as any other expert font with oldstyle
+numerals, true small caps, kerning and ligatures.
+However, make sure to \textbackslash usepackage[T1]\{fontenc\} when using
+this typeface, because Libertine doesn't set the font encoding by default.
+%In general it's a good practice to always
+%specify the font encoding (T1 for all the fonts on this page) yourself.
+
+By the way, Libertine is the font used in the Wikipedia
+% {\fontsize{11.3}{0}\selectfont\useTextGlyph{fxl}{V.alt}\hspace{-3.6pt}\useTextGlyph{fxl}{V.alt}}\hspace{-.5pt}{\fontsize{11}{10}\selectfont\sc ikipedi}A
+logo.
+
+\sf
+The sans serif family (used in this paragraph) gets also set by
+\textbackslash usepackage\{libertine\}. This family is called Biolinum and is what software
+developers would call a \emph{beta version}---not yet suited for production
+use. It looks a little like Zapf's famous Optima typeface, due to the
+application of subtle stresses that produce the suggestion of a glyphic
+serif. Bio\-linum goes even further in this by featuring real (although
+petite) serifs at the end of some strokes. Let's see how the development will
+proceed...
+
+\end{document}

lmodern.tex

@@ -0,0 +1,43 @@
+\documentclass{article}
+\usepackage[T1]{fontenc}
+\usepackage{lmodern}
+\usepackage{inconsolata}
+\usepackage{microtype}
+\usepackage{mflogo}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\noindent
+{\LARGE 1 Computer Modern}\\
+~\\
+% Some love it, some hate it, but fact is that a
+\noindent
+The users of any \TeX{} system get the Computer Modern typeface by default in
+all their documents.  This idiosyncratic font makes \TeX{} documents
+instantly recognizable to anyone who's ever used this system and instantly
+impresses anyone else with it's timeless design.  It has very high contrast
+between thick and thin elements, very consistent and characteristic
+strokes, and relatively short ascenders and descenders.  Of course, it's
+classified as ``modern''.
+
+Computer Modern was created by Donald Knuth, the great mathematician and
+creator of \TeX, and initially released in $1978$ together with \TeX{} and
+\MF.  The latter is the programming language that he used to create Computer
+Modern.  In this language, the Computer Modern shapes are described by 62
+distinct parameters that allow the glyphs to be changed generically.  The
+idea is that certain aspects of the font can be adjusted by typesetters to
+match the type of material.  In reality, noone besides Knuth has been able
+to create such a mature and widely-used type family as Computer Modern using
+the \MF{} system, although you'll see one more \MF{} typeface further down
+this page.
+
+To use this font in \LaTeX, you don't have to do anything. However, you might consider
+to \textbackslash usepackage\{lmodern\} to obtain Latin Modern,
+a PostScript version of Computer Modern created with \MP.  It looks
+(almost) exactly the same, but provides more convenient scaling of glyphs
+among other small improvements.  But rest assured that \LaTeX{}, by default,
+gives you the best typeface available.
+
+\end{document}

makefile

@@ -0,0 +1,78 @@
+options = -D 300 -bg Transparent -fg 'rgb 0 0 0' -T tight -z 9 -Q 10
+
+all: boisik.png gyre.png gyrebonum.png gyrepagella.png gyreschola.png gyretermes.png antiqua.png lmodern.png kpfonts.png kpsans.png utopia.png venturis.png venturisrm1.png venturisrm2.png venturisrm3.png didot.png libertine.png bera.png
+
+antiqua.png: antiqua.tex
+	latex antiqua.tex
+	dvipng $(options) -gamma 0.6 -o antiqua.png antiqua.dvi
+
+gyre.png: gyre.tex
+	latex gyre.tex
+	dvipng $(options) -gamma 0.5 -o gyre.png gyre.dvi
+
+gyrebonum.png: gyrebonum.tex
+	latex gyrebonum.tex
+	dvipng $(options) -gamma 0.5 -o gyrebonum.png gyrebonum.dvi
+
+gyrepagella.png: gyrepagella.tex
+	latex gyrepagella.tex
+	dvipng $(options) -gamma 0.8 -o gyrepagella.png gyrepagella.dvi
+
+gyreschola.png: gyreschola.tex
+	latex gyreschola.tex
+	dvipng $(options) -gamma 0.5 -o gyreschola.png gyreschola.dvi
+
+gyretermes.png: gyretermes.tex
+	latex gyretermes.tex
+	dvipng $(options) -gamma 0.8 -o gyretermes.png gyretermes.dvi
+
+lmodern.png: lmodern.tex
+	latex lmodern.tex
+	dvipng $(options) -gamma 1 -o lmodern.png lmodern.dvi
+
+kpfonts.png: kpfonts.tex
+	latex kpfonts.tex
+	dvipng $(options) -gamma 0.7 -o kpfonts.png kpfonts.dvi
+
+kpsans.png: kpsans.tex
+	latex kpsans.tex
+	dvipng $(options) -gamma 0.7 -o kpsans.png kpsans.dvi
+
+utopia.png: utopia.tex
+	latex utopia.tex
+	dvipng $(options) -gamma 0.5 -o utopia.png utopia.dvi
+
+venturis.png: venturis.tex
+	latex venturis.tex
+	dvipng $(options) -gamma 0.8 -o venturis.png venturis.dvi
+
+venturisrm1.png: venturisrm1.tex
+	latex venturisrm1.tex
+	dvipng $(options) -gamma 0.8 -o venturisrm1.png venturisrm1.dvi
+
+venturisrm2.png: venturisrm2.tex
+	latex venturisrm2.tex
+	dvipng $(options) -gamma 0.8 -o venturisrm2.png venturisrm2.dvi
+
+venturisrm3.png: venturisrm3.tex
+	latex venturisrm3.tex
+	dvipng $(options) -gamma 0.8 -o venturisrm3.png venturisrm3.dvi
+
+didot.png: didot.tex
+	latex didot.tex
+	dvipng $(options) -gamma 0.5 -o didot.png didot.dvi
+
+libertine.png: libertine.tex
+	latex libertine.tex
+	dvipng $(options) -gamma 0.8 -o libertine.png libertine.dvi
+
+bera.png: bera.tex
+	latex bera.tex
+	dvipng $(options) -gamma 0.8 -o bera.png bera.dvi
+
+boisik.png: boisik.tex
+	latex boisik.tex
+	dvipng $(options) -gamma 1.2 -o boisik.png boisik.dvi
+
+clean:
+	-rm *.dvi *.aux *.log

utopia.tex

@@ -0,0 +1,33 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[T1]{fontenc}
+\usepackage{fourier}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\noindent
+{\LARGE 4 Utopia}\\
+~\\
+Utopia is a transitional serif typeface designed by Robert Slimbach, and
+first released in 1989 by Adobe.  Its looks are consistent, formal, and very
+clearly readable even on low-resolution media such as computer printers and
+screens.
+
+Adobe's release of Utopia was a response to Bitstream's release of the
+Charter typeface (\textbackslash usepackage\{charter\}) in 1987,
+another highly readable set of fonts designed specifically for
+low-resolution printers.  Both corporations donated their fonts to the
+X Consortium in 1992 in order to gain popularity.  Adobe, however, did
+so using very restrictive license, causing concerns in the free
+software community.  (This is the reason you see a ``This package is
+to be regarded as obsolete'' warning when you try to \textbackslash
+usepackage\{utopia\} in \LaTeX.)
+
+In 2006, Adobe re-released Utopia, this time under a truly free license, and
+since then it has been available through at least two packages: the
+Fourier-GUTenberg project (\textbackslash usepackage\{fourier\}), and
+\emph{mathdesign} (\textbackslash usepackage[utopia]\{mathdesign\}).
+
+\end{document}

venturis.tex

@@ -0,0 +1,26 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[lf]{venturis}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\noindent
+{\LARGE 5 Venturis ADF}\\
+~\\
+After Adobe finally open-sourced the Utopia font-family in 2006,
+font-designer Hirwen Harendal of the Arkandis Digital Foundry made the first
+legal derivative and released it in 2007 on behalf of the \TeX{} Users
+Group.  The Venturis suite of typefaces are characterized by a smaller
+x-height and an even more ``square'' feeling than Utopia.  The Venturis
+collection consists of the following three typefaces.
+
+%The ADF has three purposes. The first is provide fonts to allow for artistic
+%creativity in publications for those who cannot afford the cost of
+%commercial font families. The second is to protect the works of professional
+%font foundries and designers from the illegal use of their fonts in
+%publications or for commercial use by providing these free alternatives. The
+%last is that making fonts is a great pleasure.
+
+\end{document}

venturisrm1.tex

@@ -0,0 +1,16 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage[lf]{venturis}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\begin{description}
+
+\item{\bf Venturis:}
+The original Venturis typeface. To use, place \textbackslash usepackage\{venturis\}
+in the document header.
+\end{description}
+
+\end{document}

venturisrm2.tex

@@ -0,0 +1,15 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage{venturis2}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\begin{description}
+\item{\bf Venturis No2:}
+Like the original Venturis typeface, but with an even smaller x-height. To use, place
+\textbackslash usepackage\{venturis2\} in the document header.
+\end{description}
+
+\end{document}

venturisrm3.tex

@@ -0,0 +1,14 @@
+\documentclass{article}
+\usepackage{microtype}
+\usepackage{venturisold}
+\pagestyle{empty}
+\linespread{1.2}
+\begin{document}
+\frenchspacing
+
+\begin{description}
+\item{\bf Venturis old:}
+To use, place \textbackslash usepackage\{venturisold\} in the document header.
+\end{description}
+
+\end{document}