spelling corrections

antiqua.tex

@@ -20,6 +20,7 @@ Are you ready for a little \LaTeX{} magic? Type the following into a file named
 \endinput
 \end{verbatim}
 
+\noindent
 Now simply \textbackslash{}usepackage\{antiqua\}, and your document
 will be typeset in URW Antiqua! Antiqua is little known, but still an
 original creation by Hermann Zapf. Its sans serif counterpart that

bera.tex

@@ -10,9 +10,11 @@
 \noindent
 {\LARGE 9 Bitstream Vera}\\
 ~\\
-The digital revolution demanded types that looked consistent and readable even when viewed at lower resolutions. This gave rise to a square-looking and widely spaced new family of fonts, of which Bitstream Charter was the first real example. After Charter's success, the Bitstream foundry worked together with the Gnome Foundation to produce Bitstream Vera, a serif font specifically designed for low resolution computer screens. The large x-height and wide, open letters make Vera easy to read even at very small sizes.
+The digital revolution demanded types that looked consistent and readable even when viewed at lower resolutions. This gave rise to a square-looking and widely spaced new family of fonts, of which Bitstream Charter and Adobe Utopia were the first real examples. After Charter's success, the Bitstream foundry worked together with the Gnome Foundation to produce Bitstream Vera, a serif font specifically designed for low resolution computer screens. The large x-height and wide, open letters make Vera easy to read even at very small sizes.
-
-The latest incarnation in the category of ``display serif fonts'' is the DejaVu series of fonts, which have mostly replaced the default Vera in most Linux distributions. If you like this type of font, closely compare the packages \texttt{charter}, \texttt{bera}, and \texttt{dejavu}.
 
+\fontsize{9pt}{1em}
+{\fontfamily{DejaVuSerif-TLF}\selectfont
+The latest incarnation of Vera is the DejaVu font family, which have mostly replaced the default Vera in most Linux distributions. Although Wikipedia states that DejaVu ``maintains the original look and feel'' of Vera, I myself cannot find \emph{any} visual difference between \textbackslash{}usepackage\{bera\} and \textbackslash{}usepackage\{dejavu\}. To illustrate, this paragraph is set in 9pt DejaVu, while the previous paragraph is set in 10pt Vera. Really!
+}
 
 \end{document}

boisik.tex

@@ -1,6 +1,7 @@
 \documentclass{article}
 \usepackage{microtype}
 \usepackage[OT1]{fontenc}
+\usepackage{librebaskerville}
 \usepackage{boisik}
 \usepackage{mflogo}
 \usepackage[utf8]{inputenc}
@@ -11,14 +12,21 @@
 \noindent
 {\LARGE $10$ Boisik}~\\
 ~\\
-Boisik is without a doubt the ugliest font available in any \LaTeX distribution.
+Boisik is without a doubt the ugliest font available in the \LaTeX{}
-One look at this paragraph and you'll agree that the last place in this Top 10 is a well-deserved one.
+distribution.  One look at this paragraph and you'll agree that the
+last place in this Top 10 is a well-deserved one.
 
-However, Boisik is very much worth mentioning because it has completely been written in the archaic \MF{} system.
+However, Boisik is very much worth mentioning because it has
-That's right, every parameter of this font is globally adjustable, and every font size has different glyphs.
+completely been written in the archaic \MF{} system.  That's right,
+every parameter of this font is globally adjustable, and every font
+size has different glyphs.  Boisik is inspired by the classic 18th
+century {\librebaskerville\small Baskerville}, which is itself
+available with \textbackslash{}usepackage\{librebaskerville\}. Boisik
+can be selected by \textbackslash{}usepackage\{boisik\}.
 
-Boisik is a tribute to the original Computer Modern typeface, and it's ugliness only underwrites the geniousness
+Boisik
-of Knuth's creation.
+is a tribute to the original Computer Modern typeface, and it's
+ugliness only underwrites the geniousness of Knuth's creation.
 
 
 \end{document}

libertine.tex

@@ -2,7 +2,7 @@
 \usepackage{microtype}
 \usepackage[T1]{fontenc}
 \usepackage{libertine}
-\usepackage{anyfontsize}
+%\usepackage{anyfontsize}
 \pagestyle{empty}
 \linespread{1.2}
 \begin{document}
@@ -23,18 +23,16 @@ this typeface, because Libertine doesn't set the font encoding by default.
 %In general it's a good practice to always
 %specify the font encoding (T1 for all the fonts on this page) yourself.
 
-By the way, Libertine is the font used in the Wikipedia
+By the way, Libertine is the font used in the
-% {\fontsize{11.3}{0}\selectfont\useTextGlyph{fxl}{V.alt}\hspace{-3.6pt}\useTextGlyph{fxl}{V.alt}}\hspace{-.5pt}{\fontsize{11}{10}\selectfont\sc ikipedi}A
+{\fontsize{11.3}{0}\selectfont V\hspace{-4.6pt}V}\hspace{-.5pt}{\fontsize{11}{10}\selectfont\sc ikipedi}A
 logo.
 
-\sf
+\sf The sans serif family (used in this paragraph) set by
-The sans serif family (used in this paragraph) gets also set by
+\textbackslash usepackage\{libertine\} is called Biolinum. As you can
-\textbackslash usepackage\{libertine\}. This family is called Biolinum and is what software
+see, it's perhaps the most beautiful sans serif typeface available to
-developers would call a \emph{beta version}---not yet suited for production
+\LaTeX{} users. It looks a little like Zapf's Optima, due to
-use. It looks a little like Zapf's famous Optima typeface, due to the
+the application of subtle stresses that produce the suggestion of a
-application of subtle stresses that produce the suggestion of a glyphic
+glyphic serif. Bio\-linum goes even further in this by featuring real
-serif. Bio\-linum goes even further in this by featuring real (although
+(although petite) serifs at the end of some strokes.
-petite) serifs at the end of some strokes. Let's see how the development will
-proceed...
 
 \end{document}

lmodern.tex

@@ -17,7 +17,7 @@
 The users of any \TeX{} system get the Computer Modern typeface by default in
 all their documents.  This idiosyncratic font makes \TeX{} documents
 instantly recognizable to anyone who's ever used this system and instantly
-impresses anyone else with it's timeless design.  It has very high contrast
+impresses anyone else with its timeless design.  It has very high contrast
 between thick and thin elements, very consistent and characteristic
 strokes, and relatively short ascenders and descenders.  Of course, it's
 classified as ``modern''.